Welcome to TriggerTone — the searchable online guide to audio post production terminology.
For more than a century, those who work with audio have developed a vocabulary all their own - a lexicon where cans are worn over your ears, clipping has nothing to do with coupons, bias never refers to favoritism, sweetening contains no sweetener, a matrix does not star Keanu Reeves, and "wow" is one thing you never want to hear.
TriggerTone signals the start of your search through the multitude of terms used in audio post. Curious why motor boating has sunk your track or how an anomaly with a name as innocuous sounding as flutter could cause so many rejections? The definitions herein were written for professionals not necessarily familiar with the physics of sound or the mind numbing details of an audio engineering textbook. Rather, the goal of TriggerTone is to provide concise, clear interpretations of terms as they relate to audio post embellished with sound clips and illustrations where helpful.
Browse the most popular viewed terms.
Phasing is a steady or variable cancellation of frequencies created when two copies of identical program material are combined with very small variations in timing. The timing variations that cause phasing are up to approximately 1/2 a video frame apart. When the timing variation between the
Vinegar Syndrome is an indicator of a complex chemical process caused by the decomposition of the acetate film base of certain types of mags and audiotapes. Over time, this deterioration process yields acetic acid (or vinegar) as a pungent byproduct, giving this syndrome its distinctive odor and
7.1 Multi-channel Audio
7.1 refers to multi-channel audio intended to be monitored through eight channels: seven full frequency range (20Hz to 20KHz) channels and one frequency limited (below 120Hz) channel for the LFE (Low Frequency Effects), or Subwoofer track. 7.1 multi-channel audio has several theoretical channel